was i ever truly off my bullshit
[When Kirin Jindosh's house falls into the sea, he almost doesn't realize it's happening. No alarms have been activated, no sensors in his floors alert him to the presence of an intruder; even the mechanisms of his house are silent as the grave, on this completely ordinary day. Were there anything amiss in his house, he would know... and nothing appears to be wrong.
He hasn't eaten in two days. It's unimportant, but he's pushed his hunger to the point of distraction and now needs to put something in his body before he starts to slip in his work. It's this that gets him out of his lab and skulking directly down to the kitchens instead of waiting around for someone to bring him food in the dining area; the cooks aren't pleased to see him in their space (it isn't theirs), but they never are, and Jindosh can eat a pear in peace for five minutes thanks to their studiously avoiding his gaze.
His cooks are among the best of his staff, all things considered. But so it happens that he is not in the high, ocean-overlooking part of his home when it begins to fall. He feels a faint rumble beneath the floor and pauses, head tilted to listen. Somewhere, something creaks. And then something tears.
All at once his perfect home becomes a place of chaos: guards abandoning posts, staff and servants running in every direction, the clockworks not knowing what to do with themselves in the absence of an enemy to put down. Jindosh himself moves like a spectre, the shock of his home's demise too great to spur him into doing something like moving more quickly. Against all odds it's a maid (he knows her face, Maybe if he had a family, but that kind of thing doesn't even occur to him, his home remembers) who sees the master of the house staring dully out of a window as it splinters and does something about it, grabbing his hand and taking off at a run before he can find his voice to object.
The house crumbles. Glass shatters, wood splinters and stone all but dissolves as if it were never the marvel of engineering it was built to be. Metal screams and snaps as it bends in ways it was never intended to and Jindosh has no words for the feeling he experiences as his life's work, years of work and decades of research, slip into the sea like they were never there. How? he wonders. How, how, how? No answer comes to him; his greatest defeat is this, and though he can see no enemy that caused this, he knows: his house is flawless, and if it falls then his enemy has bested him without ever appearing before him.
A worthy opponent, despite the consequences.
Outside the carriage is somehow still working, but it throws itself off its track when a chunk of his waiting room wall lands on the station behind it. Jindosh and the maid are tossed limply into the grass, and the maid scrambles to her feet to continue running while Jindosh sits up to watch his house fall to rubble and dust. He thinks he can see his silvergraph lenses glinting in the afternoon sunlight as they fall, but perhaps he imagined it.
He's still sitting there watching when the dust has settled. When a dark-clothed figure covering her face stalks toward him, says nothing to him as he looks up into the eyes of his own destruction, the Empress, says nothing as she tosses the cracked shell of a clockwork soldier's head into his lap and walks away.
He's still sitting there when the sun begins to set, on the hill, on everything. She may as well have just killed him, he thinks as he finally rises to go pick through his own rubble. It would have been more merciful than this.]
He hasn't eaten in two days. It's unimportant, but he's pushed his hunger to the point of distraction and now needs to put something in his body before he starts to slip in his work. It's this that gets him out of his lab and skulking directly down to the kitchens instead of waiting around for someone to bring him food in the dining area; the cooks aren't pleased to see him in their space (it isn't theirs), but they never are, and Jindosh can eat a pear in peace for five minutes thanks to their studiously avoiding his gaze.
His cooks are among the best of his staff, all things considered. But so it happens that he is not in the high, ocean-overlooking part of his home when it begins to fall. He feels a faint rumble beneath the floor and pauses, head tilted to listen. Somewhere, something creaks. And then something tears.
All at once his perfect home becomes a place of chaos: guards abandoning posts, staff and servants running in every direction, the clockworks not knowing what to do with themselves in the absence of an enemy to put down. Jindosh himself moves like a spectre, the shock of his home's demise too great to spur him into doing something like moving more quickly. Against all odds it's a maid (he knows her face, Maybe if he had a family, but that kind of thing doesn't even occur to him, his home remembers) who sees the master of the house staring dully out of a window as it splinters and does something about it, grabbing his hand and taking off at a run before he can find his voice to object.
The house crumbles. Glass shatters, wood splinters and stone all but dissolves as if it were never the marvel of engineering it was built to be. Metal screams and snaps as it bends in ways it was never intended to and Jindosh has no words for the feeling he experiences as his life's work, years of work and decades of research, slip into the sea like they were never there. How? he wonders. How, how, how? No answer comes to him; his greatest defeat is this, and though he can see no enemy that caused this, he knows: his house is flawless, and if it falls then his enemy has bested him without ever appearing before him.
A worthy opponent, despite the consequences.
Outside the carriage is somehow still working, but it throws itself off its track when a chunk of his waiting room wall lands on the station behind it. Jindosh and the maid are tossed limply into the grass, and the maid scrambles to her feet to continue running while Jindosh sits up to watch his house fall to rubble and dust. He thinks he can see his silvergraph lenses glinting in the afternoon sunlight as they fall, but perhaps he imagined it.
He's still sitting there watching when the dust has settled. When a dark-clothed figure covering her face stalks toward him, says nothing to him as he looks up into the eyes of his own destruction, the Empress, says nothing as she tosses the cracked shell of a clockwork soldier's head into his lap and walks away.
He's still sitting there when the sun begins to set, on the hill, on everything. She may as well have just killed him, he thinks as he finally rises to go pick through his own rubble. It would have been more merciful than this.]

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But for right now: what the fuck?] In... theory. [he has probably burned himself while working like a dozen times] The miniature tanks should be made of a special reinforced glass, but I suppose my order of that won't be coming in now.
[Still shoot-able, though. That's true.]
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[This... deeply bothers him. He bites the inside of his cheek, then leans off from the window to go walk over his desk for another pen. He's just going to scribble all over his art now, thanks.]
You carved all those... spiral wood things yourself, but this isn't armor. You could melt down some steel, fit little cylinders around them like how they cover the gate tanks until they swap 'em, so someone who knows what to look for can't shoot their fuckin' arms off... I don't know about your lenses, or your magnesium whatever, but real soldiers don't walk around all scantily like this. You're covering them proper, this time.
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[He just wants it to be clear that he doesn't go out looking for people to dissect, they literally come to him. He's not donning a ye olde ski mask and kidnapping people off the street; how uncouth.
That said... why? Is Paolo trying to critique his designs. Jindosh watches him scribble on the other drawing with a raised eyebrow, not sure if he's mad about this or not. No one has ever actually done this...?]
Steel is too heavy. If they have the mobility of fat little carriages and can be escaped at a brisk trot, there isn't any point in having them. A lightweight metal, that nevertheless is strong... Hmm. It's worth testing, but you don't have an endless supply of materials, as you've said. [also he's never seen a veteran in actual armor, so technically: bullshit. but never mind.] What are you doing to my design?
[that scribbling!!!]
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He's not mad. He really, truly isn't, but he's certainly frustrated. He doesn't have that kind of money, and to get that money he needs to start pulling more jobs than he does, all while avoiding the guard more than usual because one wanted man has turned into two... He's busy enough, without this. But he also won't be able to relax without moving forward in some way.]
... Your place was by a lot of trees, yeah? Trees nobody will miss. [And without answering to what he's doing, he starts drawing over his design again.] Wood'll split, but not before someone wastes their bullets... You give real coverage instead of your spiral art bullshit, it'll still work.
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Jindosh knows his material preference is very pricey - that's literally been his problem all this time (and he wonders, finally, if the Empress stole Sokolov out from under his nose before she destroyed his home; pity), but if Paolo wants quality machines, he'll have to do at least a little better than cheap blades melted down to make cheap armor plates, and rotted wood from the alleys.
Cutting down a tree for him, that's creative. He hums, tapping the end of his pen on his piece of paper.]
The spiral design is for aerodynamics... [no it's for aesthetic but shut up] Fine. I will revisit the solid wood option. Is that what you're doing over there?
[SHOW HIM...... THE BIRD]
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[Paolo, once again, ignores Jindosh. He's busy! He's drawing little wood guards all over every exposed piece someone can just plunge a sword into if they got a jump, while also mumbling estimates under his breath. He draws a line from the wood pieces to an empty corner, then makes little tree shapes. Then a line from the bird's blade to a bunch of question marks, then followed by
Howler swords?Too obvious. Then he flips the page over to make cash symbols, and start writing his list on the back.]... Bring the wine over, yeah?
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He can't do anything but stare at Paolo for a moment, before stooping to pick up the bottle of wine from the floor and bringing it over. This is... a very strange meeting.]
When are you expecting this prototype model to be finished, exactly? [He asks this like he's not going to give up sleep for a few days to obsess over it, regardless. Details!]
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[He's just going to have to wait to look at his really childish doodles. Paolo is carrying on with his more adult list, taking the bottle without looking up. He finally lifts his head to take a drink straight from it (how classy) and stands back after he's done writing for another two minutes, setting his pen down. His total is hundreds upon hundreds of dollars after adding a guesstimation of how much it's going to cost for tools, the metal parts he doesn't know how to name, but... it's probably around three-quarters of what the Duke was paying him for a Clockwork.
He drinks again after doing a once-over. Mindy is probably going to kill him if the work doesn't.] They'll raise the security for awhile after, I'm sure... So ideally, we wait until they're comfortable again. Two months? Three?
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That said, he still raises his eyebrows, making a face that's not annoyed, but more surprised.]
Three months? [The materials being expensive are the real and actual problem, Paolo. Is that why three months? Jindosh and a screwdriver could make this happen in four days with all the requisite stuff.] Well. That does give me time to improve your weapons, I suppose.
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You used more than one when Duke took the throne for... what's her name. [He knows from the posters everywhere, he just doesn't care. Another sip, then:] When the shipments will be enough for maybe... two Clockworks at a time, and I don't think you're accounting for all the shit that'll go wrong. [Because it will, he knows. Be realistic!!] We'll have other things to do, like...
[Like... hm. Murder? What else is there but murder. Give him a minute.] You know the commands for your old ones, right? Could take one back. Compare 'em.
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This new plan, taking back his already sold soldiers? That's... that's very good!]
Yes. Yes, that's an idea worth pursuing. The bank holds a number of my earliest models... I daresay if they're not going to utilize them to their fullest potential, I ought to have them back. [Paolo can see those fucking disasters of ceramic... great times.] And my vault should be dealt with, before someone decides to seize it from me—not that they could get inside, but you know.
[Hey let's do a bank heist?]
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No, he reasons, he was right to pick this guy up. He would have had no idea otherwise. Additionally, it's more fun this way, finding out just how interesting this man can prove to be. He comes out of his thoughts with a grin, setting the bottle on the desk.]
You wanna rob a bank. [He laughs, a hint of excitement in his eyes. This is a great plan. He's more exhilarated at the prospect than he's been in weeks.] You, Kirin Jindosh, Grand Inventor who doesn't go anywhere, thought about robbing a bank before me! I haven't thought that big since I was a kid... It'll take a load off my back trying pay for these things. [Ah, but, hm.] That's not my territory, though. You'll be responsible for getting us through safely.
Can you handle that, big guy?
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Paolo being enthused about the idea is a nice touch; Jindosh wasn't looking forward to have to convince him to round up a few thugs and do something more in depth than threatening some people on the street. He waves a hand, leaning against the desk and picking up that bottle of wine. His now, again.]
Of course. I designed the security system. [helpful tip: everything mechanical in Karnaca is probably Jindosh brand] You will have to deal with the guards.
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[He lets the wine go, considering he's no longer stressing about how much money he's going to have to spend. Instead he leans to open one of his desk drawers, pulling out a case of imported cigars. They're much higher quality than what he's usually carrying; he's now in a more celebratory mood.]
I don't think I've ever been more grateful to have your name everywhere. You just might be... my greatest investment. [He pulls one, pauses, then glances up at him with his fingers over a second.] You smoke?
[little does he know]
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[Does he want to fuck over the entire bank out of spite? Yes, a little. How will the Empress fare back in Dunwall when Karnaca's value falls into a ravine just like his goddamn house? Let's see how she likes it.
But that's for later. He lifts the bottle for a sip of wine, giving Paolo a look as he does—calling him an investment is ridiculous, but at least his genius is finally being appreciated in some way. He hums and glances at the cigars, wrinkling his nose a little. Even at the good shit!! No, not for that reason, he could really fucking use a smoke, but-]
Do you have tobacco?
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Yeah, yeah, sure... [He opens that same drawer, leaning to pull out a small wax-wrapped pouch of tobacco, a set of matches, and a tamper. He has a pipe in there, somewhere, but he desperately wants to know where this is going.] You... sure?
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He proceeds to casually load up his own fucking hand like a completely normal tobacco pipe, light it, and shake the match out before taking a drag off his own thumb.
He's sure........]
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Then he slowly slides the wine bottle back over to himself. Okay, this is fine. This is great. Love it. There's not a million questions running through his head, no, he's drinking them all away.]
Seems pretty [You did this. He smiles.] handy.
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Comedian and criminal. A jack of all trades, aren't you?
[Let him thumb smoke!! He adds, like it a) needs to be said, or b) defends his choices at all,] I made this.
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Yeah? I couldn't tell. You always feel the need to tell people everything you know, or am I just lucky?
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You have questions but you don't ask them. [A shrug; also, he's an asshole? It's a number of things.] Perhaps one of these days, you will.
[But UNTIL THEN... Jindosh trivia.]
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[No, he's thinking about it. Hmmmm...] What do you do besides make those things? Take pictures? Listen to the sound of your own voice?
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Were you listening when I told you I designed the bank's security system? I've improved nearly every Anton Sokolov invention from the past several decades in half the time, I've revolutionized engineering... You've invested in the greatest mind in Serkonos, Paolo. Remember that.
[He does take pictures of himself, but still. He did all this other cool stuff, too.]
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So you don't do anything for fun. Sounds about right.
[Boring? Nerd? He's leaning back far enough to put his own feet up.] No music? No dances? No... y'know, not something in a lab?
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I have no use for dancing or other trivial pursuits. Should dancing one day become vital to the unraveling of some intricate problem I have yet to solve, then I will reconsider. [he's a big nerd]
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