was i ever truly off my bullshit
[When Kirin Jindosh's house falls into the sea, he almost doesn't realize it's happening. No alarms have been activated, no sensors in his floors alert him to the presence of an intruder; even the mechanisms of his house are silent as the grave, on this completely ordinary day. Were there anything amiss in his house, he would know... and nothing appears to be wrong.
He hasn't eaten in two days. It's unimportant, but he's pushed his hunger to the point of distraction and now needs to put something in his body before he starts to slip in his work. It's this that gets him out of his lab and skulking directly down to the kitchens instead of waiting around for someone to bring him food in the dining area; the cooks aren't pleased to see him in their space (it isn't theirs), but they never are, and Jindosh can eat a pear in peace for five minutes thanks to their studiously avoiding his gaze.
His cooks are among the best of his staff, all things considered. But so it happens that he is not in the high, ocean-overlooking part of his home when it begins to fall. He feels a faint rumble beneath the floor and pauses, head tilted to listen. Somewhere, something creaks. And then something tears.
All at once his perfect home becomes a place of chaos: guards abandoning posts, staff and servants running in every direction, the clockworks not knowing what to do with themselves in the absence of an enemy to put down. Jindosh himself moves like a spectre, the shock of his home's demise too great to spur him into doing something like moving more quickly. Against all odds it's a maid (he knows her face, Maybe if he had a family, but that kind of thing doesn't even occur to him, his home remembers) who sees the master of the house staring dully out of a window as it splinters and does something about it, grabbing his hand and taking off at a run before he can find his voice to object.
The house crumbles. Glass shatters, wood splinters and stone all but dissolves as if it were never the marvel of engineering it was built to be. Metal screams and snaps as it bends in ways it was never intended to and Jindosh has no words for the feeling he experiences as his life's work, years of work and decades of research, slip into the sea like they were never there. How? he wonders. How, how, how? No answer comes to him; his greatest defeat is this, and though he can see no enemy that caused this, he knows: his house is flawless, and if it falls then his enemy has bested him without ever appearing before him.
A worthy opponent, despite the consequences.
Outside the carriage is somehow still working, but it throws itself off its track when a chunk of his waiting room wall lands on the station behind it. Jindosh and the maid are tossed limply into the grass, and the maid scrambles to her feet to continue running while Jindosh sits up to watch his house fall to rubble and dust. He thinks he can see his silvergraph lenses glinting in the afternoon sunlight as they fall, but perhaps he imagined it.
He's still sitting there watching when the dust has settled. When a dark-clothed figure covering her face stalks toward him, says nothing to him as he looks up into the eyes of his own destruction, the Empress, says nothing as she tosses the cracked shell of a clockwork soldier's head into his lap and walks away.
He's still sitting there when the sun begins to set, on the hill, on everything. She may as well have just killed him, he thinks as he finally rises to go pick through his own rubble. It would have been more merciful than this.]
He hasn't eaten in two days. It's unimportant, but he's pushed his hunger to the point of distraction and now needs to put something in his body before he starts to slip in his work. It's this that gets him out of his lab and skulking directly down to the kitchens instead of waiting around for someone to bring him food in the dining area; the cooks aren't pleased to see him in their space (it isn't theirs), but they never are, and Jindosh can eat a pear in peace for five minutes thanks to their studiously avoiding his gaze.
His cooks are among the best of his staff, all things considered. But so it happens that he is not in the high, ocean-overlooking part of his home when it begins to fall. He feels a faint rumble beneath the floor and pauses, head tilted to listen. Somewhere, something creaks. And then something tears.
All at once his perfect home becomes a place of chaos: guards abandoning posts, staff and servants running in every direction, the clockworks not knowing what to do with themselves in the absence of an enemy to put down. Jindosh himself moves like a spectre, the shock of his home's demise too great to spur him into doing something like moving more quickly. Against all odds it's a maid (he knows her face, Maybe if he had a family, but that kind of thing doesn't even occur to him, his home remembers) who sees the master of the house staring dully out of a window as it splinters and does something about it, grabbing his hand and taking off at a run before he can find his voice to object.
The house crumbles. Glass shatters, wood splinters and stone all but dissolves as if it were never the marvel of engineering it was built to be. Metal screams and snaps as it bends in ways it was never intended to and Jindosh has no words for the feeling he experiences as his life's work, years of work and decades of research, slip into the sea like they were never there. How? he wonders. How, how, how? No answer comes to him; his greatest defeat is this, and though he can see no enemy that caused this, he knows: his house is flawless, and if it falls then his enemy has bested him without ever appearing before him.
A worthy opponent, despite the consequences.
Outside the carriage is somehow still working, but it throws itself off its track when a chunk of his waiting room wall lands on the station behind it. Jindosh and the maid are tossed limply into the grass, and the maid scrambles to her feet to continue running while Jindosh sits up to watch his house fall to rubble and dust. He thinks he can see his silvergraph lenses glinting in the afternoon sunlight as they fall, but perhaps he imagined it.
He's still sitting there watching when the dust has settled. When a dark-clothed figure covering her face stalks toward him, says nothing to him as he looks up into the eyes of his own destruction, the Empress, says nothing as she tosses the cracked shell of a clockwork soldier's head into his lap and walks away.
He's still sitting there when the sun begins to set, on the hill, on everything. She may as well have just killed him, he thinks as he finally rises to go pick through his own rubble. It would have been more merciful than this.]

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[Paolo sighs, finally dropping his hand. He sits in silence for a moment, taking another drag from his cigar and watching how the smoke billows from Jindosh's hand. What a weirdo...
But eventually he sets it down on an ashtray, leaning forward in his seat to pull off his jacket. There's three bonecharms sewn on the inside of it, singing the second they're revealed to the open air, but his attention is going to undoing the wristbow strapped to his arm.]
You can have a look, ahead of time. Have it back to me before I wake up tomorrow.
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He takes the wristbow, certainly, but his gaze keeps darting to the jacket. Hmm.]
It has a bend here, [he says, like, immediately after looking at this bow once. Nerd.] It's probably misfiring one in ten of your shots.
[Bonecharms...... let him play in the Void.]
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[He sets it on the desk and leans back, not even going to disguise the fact he's waiting for him to put the bottle down.] These things- [they're his charms, no touch] -make me lucky, but they can't make them travel as far as I need them. Especially if you don't want me killing anybody at the bank.
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I can fix that. [Of course he can fix that. He's like 100x the effectiveness of those crappy black market sellers hammering weapons together clumsily in their back rooms. Not that he's very interested in making this bow better, when the persistent singing of the bonecharms is taking up all of his attention...]
Lucky. [explain,]
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It's filthy. They're filthy. One of them still has blood on them from before he disappeared into rats, once.] They make you hit harder. You ever fight with these things on, you'll stay on your feet. Things that are just supposed to graze your enemies hit arteries. It just kind of pulls you in that direction, makes you better. And it feels great when it does. [void junkie, Outsider pls call him]
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He thinks of the one sitting in his vault in the very same bank they're planning to rob; he has no idea what it's supposed to do, but he's never had an opportunity to investigate it. Perhaps Paolo can tell him what it's actually for.]
Did you carve them yourself? [he wants! to see!]
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[So don't talk about his little guy complex, he's handing it over.] Nana carved another one after that... she was bitter about me losing. The other one's fucked up - it's what happens when you try and put broken ones together. Hurt when you use 'em, like the Void's punishing you for it. It probably wouldn't like you experimenting much.
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Hmm. I'm sure it wouldn't. But perhaps...
[maybe, he will do it anyway,]
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I didn't bring you here so you could wind up dead playing with black magic, boy.
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Don't call me boy. And please, don't embarrass yourself thinking I am that careless.
[he is missing two fingers but that is different?]
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[He raises his brows, lifting his hand to wiggle his in tact thumb and index finger. Looks like... he still has those... unlike somebody...]
And uh... that's debatable, isn't it?
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But, fine. Look at his self control: he's putting the charm back down on the desk, possibly a little harder than necessary.]
Fine. I'll spend all of my time tinkering with your little weapons instead.
[he whine]
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... We come by some pieces, I'll show you how to carve your own. You're just not breaking any of mine.
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Hm. Alright. Are you done with this?
[He says, while reaching over to take Paolo's list of numbers and flip it over to look at the fucking bird drawing anyway. His now.]
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Paolo doesn't know whether or not he hates Jindosh or himself more.] ... I'm goin' to bed.
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Oh, wow. Jindosh has no actual words for this, but the judgmental look he gives this paper should be response enough. This little one has wings? That's completely impractical. That's not even how wings work, he can tell from the scribble.]
Are you? You do seem tired.
["mediocre" - jindosh 2017]
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[Yeah, he's getting up, goodbye. Don't even look at him as he passes by.]
Brought a cot up here for you until we can get a mattress.
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He's not going to sleep on the cot, or at all, but he manages a pseudo-grateful hum about it. Maybe. Good night you prick!!]
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He figures eventually Jindosh will go to sleep like a normal person, so it's left at that. He spends some time in his evening ritual of cleaning the bar, locking up, and checking the basement, then finally goes to bed. Normally, he would have slept a few hours and gotten up right away, but he thinks he's earned just laying around watching the sun rise through the window. Mindy brought up clothes, someone else is opening the bar, he's going to rob a bank... life is pretty alright. Maybe that weirdo might wake up feeling the same later, and he can tolerate him.]
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Here's the thing: Jindosh doesn't maintain a sleep schedule governed by reason or good timing ordinarily, and here, at this place? Even if he wanted to sleep, the noise would keep him awake far too long. Unlike his own home, where every noise in the dead of night was something he could pinpoint and deal with, put up more little notes if he had to, the Crone's Hand is teeming with Howlers and rats and when the thugs stop howling for the night, finally, the wind outside howls instead.
So Jindosh eventually puts in the minimal effort of sitting on the cot for an hour or so, fidgeting with the wristbow, before he wanders around the office instead. Maybe he'll sit on the windowsill and stare, again? That was fun. If he sleeps at all, it's in half-hour dozes there before his head hitting the glass wakes him up again.
By morning he's bored, and no less restless than he was the day before. But he's also vacated Paolo's office to wander up a floor and stare... just... down at the street? It's been a long day and night. Nobody said he wasn't allowed up here!!]
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He even brings up breakfast with him. It's minimal effort, two plates of hard boiled eggs and bread, but it's enough that Mindy gives him a weird look as he passes by to go up to the third floor. "It's a good morning," he says. "What's so good about it?" she asks, but receives no reply.
Except Jindosh isn't on the third floor. His grin falters, almost believing he did up and run off like he'd predicted... but he thinks to check the fourth before blowing his lid. No one goes up here, there's no reason to. And yet.
And yet, crisis averted. His grin returns, if a bit strained.] You... You get up early?
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There isn't anything left to do but take things one day at a time, he supposes. So he tries not to dwell but he dwells a little, while he waits around up here looking out over the Dust District (at this terrible angle, frankly). He looks at Paolo over his shoulder when he arrives, nonplussed. Hey.]
Most days, yes. [He slept like a net two hours, that means he technically "woke up early." Anyway-] You are presuming too much about me again, aren't you?
[tsk TSK.....]
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[That half is probably the wealthy half he still associates with Jindosh, but... whatever. He brought eggs and toast! Look at them as he walks on over.]
I uh... don't come up here, usually. We just use it for lookouts. [It's so... messy... hm.] I can get you a desk, if you want.
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Too much dust. It wouldn't keep. [Sure, the district isn't in dust hell so often, but what could he do up here with a desk besides wait for it to fill with dirt? Shame, though.]
You came to find me— does that mean it's time to get some actual work done?
[there's no way it's past like 8 and already, he is this way]
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I came to find you because I thought you'd like something to eat. [Well, he's putting the other plate down on this windowsill so he can eat his toast... dejectedly.] You know, like normal people do in the morning.
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